A Brutal, Emotional Instant Classic of the Comic Book Genre
The X-Men films have received a mixed reputation in recent years due to their frequent inability to be stable in their quality and a general sense that the franchise is always playing catch-up with other studios and their superhero film output. Through it all, actor Hugh Jackman has remained one of the bright spots as the ferocious and charismatic Wolverine, whose own films include one strong entry into the franchise (The Wolverine) and one of the all-time worst comic book movies (X-Men Origins: Wolverine). So suffice it to say that even given the carefully crafted approach that Jackman and director/co-writer James Mangold showed in their efforts to make Jackman’s final film as Wolverine, Logan, it’s stunning how good their film actually is.
Logan is not just good for an X-Men movie. It’s not just good for a comic book movie. Logan is an absolutely stellar film that proves powerful themes, fantastic acting, and the commitment to telling the best story possible are more important than any sort of cinematic universe creation.
With a setting in the distant future in which the X-Men are no more, it’s clear from the outset that Mangold and Jackman aren’t interested in preserving any sort of franchise continuity. Rather, they’re more than happy to burn it all down and leave 20th Century Fox to rebuild from the ashes if it means telling the best story possible. With the idea that mutants are almost extinct and that a vague but terrible future is in store for the many characters currently being touted by the rest of the franchise’s ongoing team films, it seems as though every X-Men film from here on out will be saddled with living up to Logan‘s inevitable dystopia and the film’s likely-impossible-to-reach high bar.
But with the supremely tepid X-Men: Apocalypse being the last entry into the main franchise continuity, it’s more than okay to break this series to give life to something this special.